About this multitrack: Group: Led Zeppelin Genre: Rock Release date: 1975 Duration: 8:51 Key: D (Original key) Tempo: variable (around 163 BPM) Fadeout: there's NO fadeout in the end Language: English Channels quantity: 10. [Lead Vocal, String Section (Mellotron), String Section, Brass section, Arr. Electric Guitar, Rhythm Electric Guitar Robert Plant called ‘Kashmir’ the signature Led Zeppelin song Some fans point to “Stairway to Heaven” as Led Zeppelin’s defining moment. The Led Zeppelin IV centerpiece is the band’s --- LYRICS ---Oh let the sun beat down upon my faceWith stars to fill my dream.I am a traveler of both time and spaceTo be where I have been.To sit with elde Preview. Mothership is Jimmy Page’s hand-curated selection of the best of Led Zeppelin, and it’s the ultimate showcase of their proto-metal skills. The intuitive interplay between John Bonham’s drums and Page’s guitar riffs created some of the leanest hard rock on record—“Black Dog,” “Whole Lotta Love”—providing cocksure @AirplayBeats reacts to Led Zeppelin’s KashmirLike comment and subscribepatreon.com/user?u=81569817Airplay Beats3609 Bradshaw Rd Ste H #337Sacramento, CA 958 Here's a short extract of Kashmir, more exactly the Puff Daddy version considering the orchestral part in background.You can find the score for the piano par . Konkurs zakończony: Bilety na Rock The Opera Laureaci konkursu Agnieszka K. Grażyna P. Jakub K. Tomasz S. Klaudia D. Stanisław S. Piotr T. Jan S. Pytanie Wskaż utwór z "rockowych klasyków", który ma dla Ciebie największe znaczenie. Krótko uzasadnij swój wybór Nagrodzone wypowiedzi D'yer Mak'er Led Zeppelin - kawałek, który przy każdym odsłuchaniu przywraca cudowne wspomnienie, o gorącej czerwcowej nocy z czasów studenckich, pełnej przyjaźni, alkoholu (i innej lekkiej używki) oraz dłuuugich i "poważnych" życiowych rozmyślań. Zakończonej porannym ocknięciem się półnago na trawniku przed akademikiem. Jakub K. 2022-07-14 09:14:54 Dla mnie utworem, który ma największe znaczenie jest "Wind of Change" Scorpionsów, Utwór mówi o moje młodości, gdyż urodziłem się w latach 80 i pamiętam jak tego słuchałem no-stop, Gdy pierwszy raz dostałem walkmana na jednej kasecie nagrałem kilka razy pod rząd ten utwór i w okrągło go słuchałem, do tej pory mam ciarki jak o tym utworze myślę. Utwór ten jest ciągle aktualny. Jan S. 2022-07-13 16:17:38 Zdecydowanie Kashmir. Będąc młodziakiem uczęszczającym do ówczesnego gimnazjum za każdym razem lekcje w domu odrabiałem zgłębiając przy okazji takie tuzy rocka jak Led Zeppelin. Pewnego razu, podczas rozwiązywania ćwiczeń z matematyki, z głośników mojego 'peceta' płynął Kashmir i gdy tylko ojciec usłyszał ten niesamowity riff Jimmiego Page'a postanowił mi bezzwłocznie w tej matematyce pomóc. Nie byłoby w tym nic dziwnego gdyby nie fakt, że tata to humanista z krwi i kości dla którego iloraz to jedynie inteligencji, a nie wynik dzielenia. Ze wspólnej praktyki matematyki nic nie wyszło i skończyło na kontemplowaniu legend rocka. A praca domowa musiała zostać spisana od kolegi przed lekcją. Piotr T. 2022-07-13 17:36:19 Jestem motocyklowym podróżnikiem a do tego fanem Led Zeppelin więc dla mnie odpowiedź jest jedna -"Kashmir". W warstwie muzycznej słychać dużą inspirację dźwiękami Maroko. Zespół podróżował przez pustynię w Maroko natomiast w tytułowym Kaszmirze nigdy nie był. Stworzony przez Roberta Planta tekst utworu nawiązuje do podróży przez marokańskie bezdroża i oddaje atmosferę bezkresnych przestrzeni. Chcę poczuć tę metafizykę i w tym roku wybieram się w podróż motocyklem do Maroko Stanisław S. 2022-07-13 19:15:31 Dire Straits - utwór Walk of live. Utwór z roku 1985- z roku kiedy się urodziłam i kiedy to zaczął się mój spacer przez życie. Zawsze kiedy słyszę ten utwór robi mi się miło, widzę w myślach wszystkie dotychczasowe doświadczenia. Klaudia D. 2022-07-13 22:55:29 Takim utworem, bliskim mojemu sercu jest "Fortunate son" Creedence Clearwater mi się z latami mojej młodości, czasem spędzonym z najbliższymi kumplami przy grach w kafejkach internetowych, z ulubionym filmem jakim jest "Forest Gump". Utwór ten stanowił tło muzyczne wielu gier,w jakie grałem (GTA V, Mafia III, Battlefield Bad Company 2:Vietnam) .Do dziś bardzo dobrze mi się kojarzy i miło go wspominam. Kiedy go słucham wracam wspomnieniami do tych pięknych lat, do tych ludzi i pomimo, że nasze drogi zdążyły się już rozejść, wspomnienia dzięki tej muzyce pozostaną na zawsze. Tomasz S. 2022-07-14 01:51:00 The Pink Floyd. Dark Side of the Moon. Wciąż mam dreszcze jak tego słucham. Grażyna P. 2022-07-14 09:36:18 Piosenka, nie, utwór, nie, DZIEŁO, które ma dla mnie największe znaczenie to QUEEN - Who Wants To Live Forever. Są piosenki, które wpadają i wypadają z głowy, ale są też wielkie DZIEŁA, które zapisują się w głowie, a jak tylko je usłyszę przechodzą ciarki przez całe ciało. Ciało opanowuje stan lewitacji, w głowie euforia, a uzewnętrznieniem jest płacz szczęścia. Agnieszka K. 2022-07-14 10:31:38 Powrót W przypadku wygranej prosimy o kontakt z redakcją. pytanie otwarte zakończony 15:00 Bilety na Rock The Opera Rozdaliśmy 8 podwójnych zaproszeń Artykuł Zobacz wszystkie konkursy Oh, let the sun beat down upon my face, with stars to fill my dream. I am a traveler of both time and space to be where I have been. To sit with elders of a gentle race this world has seldom seen. Who talk of days for which they sit and wait When all will be revealed. Talk and song from tongues of lilting grace Sounds caress my ear. Though not a word I heard could I relate The story was quite clear. Whoa-oh-hoh Whoa-oh, whoa-oh Oooh, oh, baby, I′ve been flyin' No, yeah, mama cares, ain′t no denyin' Oh, oooh yeah, I've been flyin′ Mama My, ain′t no denyin', no denyin′, no... Oh, all I see turns to brown As the sun burns the ground. And my eyes fill with sand As I scan this wasted land. Tryin' to find, tryin′ to find where I've been, ah-ah, ah-ah... Oh, pilot of the storm who leaves no trace Like thoughts inside a dream. Heed the path that led me to that place with yellow desert stream. My Shangri-La beneath the summer moon, I will return again. Sure as the dust that blows high in June, when movin′ through Kashmir. Oh, father of the four winds, fill my sails Across the sea of years With no provision but an open face Along the straits of fear. Whoa-oh, whoa-oh Whoa-oh-hoh, oh, ohh Oh, when I'm on, when I'm on my way, yeah When I see, when I see the way you stay, yeah-eah Ooh, yeah-yeah, ooh, yeah-yeah, when I′m down, oh Ooh, yeah-yeah, ooh, yeah-yeah, when I′m down, so down... Ooh, my baby, ooh, my baby, let me take you there... Oh, oh, come on, come on, oh, let me take you there... Let me take you there, woo, yeah-yeah, woo, yeah-yeah Let me take you there...Writer(s): Page James Patrick, Plant R A, Bonham John Lyrics powered by Home Features Classic Rock (Image credit: Getty Images) “I wish we were remembered for Kashmir more than Stairway To Heaven,” Led Zeppelin singer Robert Plant told me more than three decades after the the former song was first released as the last track on side two of the band’s Physical Graffiti double album. “It’s so right; there’s nothing overblown, no vocal hysterics. Perfect Zeppelin.”It certainly is. Indeed of all the many fine musical moments Led Zeppelin would accumulate throughout their eight-studio-album career, Kashmir remains one of their hallmark tracks. It’s of the same order of class as previous touchstone moments Whole Lotta Love and Stairway To Heaven – that is, destined to transcend all musical barriers and become universally recognised as a classic. It was also arguably the last time they would scale such musical and metaphorical drive toward some irresistible far-off horizon (utilising the same signature DADGAD tuning that guitarist Jimmy Page had previously used to create such memorable showcases from his repertoire as White Summer and Black Mountain Side), Kashmir encapsulated Led Zeppelin’s multi-strand approach to making rock music: part rock, part funk, part African dust titled Driving To Kashmir, the song had begun as a lyric Plant had been inspired to write in the autumn of 1973 after a long, seemingly never-ending drive through “the waste lands”, as he put it, of southern Morocco. It's meaning had nothing to do with Kashmir, in northern India, at Plant explained Kashmir's meaning to Cameron Crowe, it was about the road journey itself rather than a specific geographical location: “It was a single-track road which neatly cut through the desert. Two miles to the east and west were ridges of sand rock. It looked like you were driving down a channel, this dilapidated road, and there was seemingly no end to it.” Hence, Plant said, the opening lyric: ‘Oh let the sun beat down upon my face, stars to fill my dreams.’Musically, the juddering rhythm had erupted out of a late-night session involving Page and drummer John Bonham during one of the band’s regular stays at Headley Grange, the haunted mansion in East Hampshire where they recorded so many tracks in the early 70s.“It was just Bonzo and myself,” Page said. “He started the drums, and I did the riff and the overdubs, which in fact get duplicated by an orchestra at the end, which brought it even more to life. It seemed so sort of ominous and had a particular quality to it. It’s nice to go for an actual mood and know that you’ve pulled it off.”The number was temporarily abandoned when recording was halted by the unforeseen disappearance of bassist John Paul Jones, who had decided to leave Zeppelin after becoming appalled at some of the more ‘vivid’ off-stage scenes surrounding the band’s notoriously outrageous US tour in the summer of a deal was brokered with Jones that included the band relocating to the plush nearby Frencham Ponds hotel (except for Page, who stayed behind at Headley) Zeppelin recommenced at the beginning of 1974. It was now that the serious work on Kashmir was completed, with Jones sketching out what would later become the orchestral parts with his Mellotron. Plant, though, struggled. Delighted with his lyrics, he admitted he was “petrified” and “virtually in tears” at trying to sing along with Kashmir’s unusual rhythmic pattern.“It was an amazing piece of music to write to, and an incredible challenge for me,” he later recalled. “The whole deal of the song is… not grandiose, but powerful: it required some kind of epithet, or abstract lyrical setting about the whole idea of life being an adventure and being a series of illuminated moments.”The finishing touch was the addition of real string and horn parts, recorded in May that year at Olympic Studios, in London, where overdubs were also laid down. The finished track was a truly epic rock classic, panoramic in scope, featuring the full-spectrum Zeppelin it the best thing the band would ever do? Robert said it was. Years later, Jimmy told me: “Well it was certainly one of them.”The bigness of Kashmir fitted Page’s increasingly lofty ambitions, his burning desire to prove wrong the naysayers who had hounded Led Zeppelin in the press since the band’s inception. Physical Graffiti was an album all about scope (it included both the longest and shortest tracks the band would ever record), and Kashmir was to be the jewel in the crown; Page determined to showcase the “bigger palette” Zeppelin had at their disposal than nearest rivals like the Stones, who Zeppelin outsold but had never matched for were also some moments where cloaked references to Page’s ongoing obsession with the occult could be discerned: images of ‘Talk and song from tongues of lilting grace’ and a ‘pilot of the storm who leaves no trace, like thoughts inside a dream’ – pilot? Or Magus, perhaps?Performed for the first time on the band’s 1975 US tour, Kashmir became the new centrepiece of the set, Jimmy stomping around in his specially designed new suit embroidered with dragons, crescent moons, spangly stars, blood-red poppies and the ‘ZoSo’ their Earls Court shows, in May, Plant described Kashmir to the audience as a song about revisiting “our travels in Morocco… and the story of our wasted, wasted times”. Two years later, during the band’s last, disastrous, US tour he reflected: “I think I will go to Kashmir one day, when some great change hits me and I have to really go away and think about my future as a man rather than a prancing boy.”That “great change”, though he didn’t know it yet, was fast approaching. Mick Wall is the UK's best-known rock writer, author and TV and radio programme maker, and is the author of numerous critically-acclaimed books, including definitive, bestselling titles on Led Zeppelin (When Giants Walked the Earth), Metallica (Enter Night), AC/DC (Hell Ain't a Bad Place To Be), Black Sabbath (Symptom of the Universe), Lou Reed, The Doors (Love Becomes a Funeral Pyre), Guns N' Roses and Lemmy. He lives in England.

led zeppelin kashmir tekst